Bradshaw
Leadership Conference Report
By Rocky Kneten
Representing
Houston, I attended the Bradshaw Leadership Conference in early
May in Aspen, Colorado. Upon my arrival, I was greeted with a cold
reception - almost two feet of snow had fallen in Aspen in the afternoon!
Many leaders from other chapters were trapped in the Denver airport
as the airport in Aspen was closed due to the weather. With a little
resourcefulness and a couple of chartered mini-buses, most attendees
arrived in time for the opening cocktail reception (one has to stay
warm).

The
conference is basically the national meeting of ASMP. I have sometimes
felt that the government of ASMP is "them" - a closed, elitist group.
However, after attending this conference twice, I now know that
the leadership of ASMP is "us" - independent business people that
want to promote a climate that furthers our careers as well as nurture
our organization of working professionals. Chapter leaders, as complete
strangers, share tips on running a photo business during the more
casual moments of the conference. I also know that the national
board is hungry for input from all ASMP members; however, this fact
does not always get the press it needs in the Bulletin. If something
is on your mind, send an email (or contact me and I will hook you
up with the best listeners).
Often,
the conference deals with the nuts and bolts of the organization,
such as funding, chapter organization, successful meeting topics,
etc... This year's meeting can be easily described with one topic:
the CO-OP. ASMP is providing the momentum to launch an artists'
co-operative so that visual artists can become a MARKET FORCE in
regards to price stability and common charges for usage. Here are
a few highlights:
The
Photographers' and Illustrators' Copyright Agency, as it will be
called, is open to all photographers. It is not an ASMP venture;
ASMP is only a catalyst in its launch. It will be inexpensive to
join, so that students and part-time professionals can afford to
be members. Since the co-op belongs to shareholders, members have
input on its policies and share in its profits.
The
co-op can legally set prices for sales.
An
artist retains his or her copyright in the work; it is NOT transferred
to the co-op (this was a source of early misinformation).
The
co-op is autonomous and its board sets co-op policy. The co-op is
being set up and administered by a firm that specializes in co-op
administration. This firm is composed of BUSINESS people. They study
our industry, attract venture capital, and write business plans
from the perspective of business people.
The
co-op will have a stock agency component, and shortly thereafter
will construct an assignment billing agency.
The
co-op should be open for business by midsummer. Since the co-op
will set its own policies, it would be premature to speculate about
the details. However, look for an ASMP Houston meeting to cover
more about the items mentioned above as well as more about the structure
of the co-op. I can tell you that most of the attendees came to
the conference with lots of questions and some skepticism about
the co-op proposal. After the frank discussions and up-to-the-minute
info presented on the co-op, we left with nearly unanimous support
for it. This might be the most important tool for a commercial photography
business since Congress gave us copyright in the 1970's.
Please
remember:
The Creative Eye Co-op plans to be here on November 29, 2001
Be sure to check the Announcements page on the main site for details
as we get closer to that date.