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Summer 2001  Issue 3


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Member Profile: THAINE MANSKE

I started out working for my Dad as an electrician's helper while I was in the 6th grade. When I received my first paycheck I used the money to by a Kodak Brownie Flash Six-20. I took a lot of gag pictures with that camera. A friend and myself were taking a roll of film to the local portrait studio to have it processed. We walked past our 9th grade math instructor's house. He was outside working on his car. He asked where we were headed and I mentioned that we were going to have some film processed. He offered to process the film if we would help him grade math papers.

Seeing that first print come up in the darkroom was like magic to me. Shortly thereafter I got a job at the portrait studio in 1951. When people ask me "How long I have been in photography?" I kind of get a kick out of telling them 50 years.

I was invited to be on the annual staff my junior and senior year of high school and my first year of junior college. I realized how many doors that opened.

I worked in a cotton gin after my senior year and then as a roughneck in the oil field after my first year of college.

I was accepted at the Art Center College of Design in the fall of 1956 studying Advertising photography. I attended for 3 semesters and ran out of money. In 1957 if you weren't in college you were going to be drafted into the service. A fellow student and myself decided to see the country before entering the service. We journeyed from San Francisco up the coast to Victoria B.C., then to Sandpoint Idaho, Yellowstone Park, Chicago, Washington D.C., and New York City on bicycles. (English 3 speed Raleigh) The trip covered 5,252 miles. We crossed seven major mountain ranges and I had 21 flat tires. We were both photographers and took what I thought to be a lot of photographs. Completing the trip, I hitchhiked home.

Two weeks later, a friend set me up with a blind date. We double dated. She didn't believe a word about my bicycle trip and didn't plan on having another date with me. A week later, I talked her into going to El Campo to meet my parents. She really liked my family, so I thought I had a chance.

About 4 months later I talked her into letting me photograph her at the Houston Zoo. She didn't like being photographed, so I told her that I wanted to do some advertising photography on Cracker Jacks. I had her posing with the box, opening the box, eating some Cracker Jacks, and opening the prize in the bottom of the box. The prize was an engagement ring that I had hidden in the bottom of the box.

 

One year latter we were married. Rochelle is the best thing that ever happened to me! I joined the Air National Guard to fulfill my military obligation. We saved our money and moved to Los Angeles, where I went back to Art Center. Don Klumpp and I were in the same class.


After college, my first job offer was in Dallas, where I worked for 6 months until the studio started having money problems. A college friend told me about a job opening in a large advertising studio in Seattle. I applied, got hired, and worked up there for 4 years. This was during the Seattle World's Fair. While there, I gained a lot of experience working with advertising agencies and design studios.

I was involved with doing work for Georgia Pacific, International Paper, Weyerhauser, Westin International Hotels, Olympia Beer, Rainier Beer, Container Corporation and Eddie Bauer.

We moved to Houston in the fall of 1965. My parents weren't getting any younger and were missing seeing their grand daughter, Kim.

 

I started my studio in January 1966. I included a lot of national work in my portfolio.

I found out what my 4 competitors were charging and set my prices 40% higher. Photography has been very, very good for me.

I have photographed in Canada, Mexico, Europe, China, Hong Kong, Saudi Arabia, and 45 of the 50 American states. I have had a lot of interesting assignments and challenges.

I joined as a charter member of the Houston Chapter of the A.S.M.P. in 1979. I am a strong believer in belonging to an organization that has done so much for our profession. The benefits that I have received are a lot more than the yearly dues and I get a lot of referral work from fellow members. I was the third president of the Houston Chapter, following Bob Gomel and Don Klumpp.

In 1996 I worked at Digital Photographic Interface doing digital photography. In the spring of 1999, they had a cut back and I went back in business for myself.

I had visited one of our members, David Nance in the hospital following his heart attack. He relayed his symptoms to me, one of which was a pain between the shoulder blades. Six years later I developed those same symptoms and went to the emergency room. I was in the middle of having a heart attack. Thanks to David, and the doctors at Memorial Southwest Hospital I am doing just fine.

I had not had a checkup for 20 years until that attack. Now I have one yearly. So friends, don't put off those yearly checkups, exercise, and be more careful about what you eat.

We now have 3 children, 2 son in laws, 1 daughter in law, and 5 grandchildren. I agree with whoever said, "That if they'd known that grandchildren were that much fun, they would have had them first."

My daughter, Kim, a stylist is following in my footsteps. She has recently begun doing environmental portraiture in addition to her styling work. Courtney and Craig are both photographic hobbyists. All of which means, that we are the recipients of many wonderful images of our grandchildren.

Three Quotes:

"There are only two lasting things we can give our children. One is roots...and the other is wings."

"There is hardly anything in the world that some man can not make a little worse and sell a little cheaper, and the people who consider price only are this man's lawful prey." Attributed to John Ruskin

"There is so much good in the worst of us and so much bad in the best of us that it hardly behooves the most of us to talk about the rest of us!"
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